But I like to think it was a thesis statement. A reminder that great artists—whether on a stage in London in 1978 or on a set in Los Angeles in 2017—recognize each other. They know that power is a performance, and the only sin is being boring.
In the punk and post-punk pantheon, Siouxsie Sioux is a high priestess. The eyeliner. The voice. The utter refusal to bow to commercial radio. She is the antithesis of performative pop femininity. She is raw, intellectual, gothic, and untouchable. WomenByJuliAnn 17 10 06 Julia Ann And Siouxsie ...
"WomenByJuliAnn" wasn't just a watermark. It was a declaration. It suggested that Julia Ann was curating a gallery of powerful women. And in that gallery, Siouxsie Sioux—the woman who sang "Hong Kong Garden" with a sneer—fit perfectly. The most beautiful part of the file name is the end: ... But I like to think it was a thesis statement
When you see her name in a file from 2017, you are looking at a woman who understood branding before influencers had a word for it. She was —claiming the gaze, turning the camera back on herself. The Ghost: Siouxsie And then there is the ellipsis. Siouxsie... In the punk and post-punk pantheon, Siouxsie Sioux