For the next three days (or three loops—time is meaningless), Leo relives the greatest hits. He bakes a disastrous pie with the Jenny-entity (a composite of every actress who ever played the part). He saves a fake golden retriever from a fake well. He even sings the show’s ridiculous theme song in front of a live audience that exists only as static in the stage lights.
"It's Fleabag meets The Truman Show ," Kai says, vaping. Mofos.23.11.18.Kelsey.Kane.Treadmill.Tail.XXX.1...
Leo remembers. He was tired of the show, tired of the character. He wanted a "serious" ending. So Sam left. The show was cancelled a month later. For the next three days (or three loops—time
Leo flubs a line. Instead of saying, "This town took everything from me," he accidentally says his original catchphrase: "Well, butter my biscuit!" He even sings the show’s ridiculous theme song
Leo takes a breath. And for the first time, he doesn’t answer as Leo the cynical actor. He answers as Sam.
It’s cheesy. It’s predictable. It’s absolutely perfect.
Today, Leo is 48, has a receding hairline he hides under a beanie, and is three months behind on his mortgage. His only income comes from autograph signings at strip-mall comic cons, where he sits between a washed-up Power Ranger and a guy selling hand-painted Darth Vader birdhouses.
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